The underground scene of bass music is currently at a new high right now with the amount of talented producers currently on the rise. Two artists we can thank for this go by the name of VED and NGHT VZN. Today they have teamed forces to provide us with the recipe for success due to their newly announced collab titled “Menace”. A high-energy bass-filled club banger that is bound to bring all heads to the dancefloor upon hearing its drop. If there is something we love deeply, it has to be switch-ups amongst the song and this tune has all the right ones to make it a heater. Now it’s time to take a deeper dive as to what makes this track what we like to call, a certified bop.

“Menace is track #2 off of the Convergence EP. It is our third collaboration together and felt right for it to be part of the EP. The track is a blend of memphis rap, half time, DNB, and dubstep.” -VED

One of Denver’s most sensational electronic funk producers & instrumentalists has just released a gift into the world that is bound to inspire pure bliss and happiness. Feel-good music is here to stay for all of 2024 and “Valley Of Death”, a 3-track ep by Phyphr, is here to showcase why that is. Yes, we all love dubstep bangers but there is just something so beautiful about combining instrumental basslines with groovy synths and vocals that just makes you want to shake it all around all night long. This is music for the soul. The flow of its vibrations through all ears just gives us a sense that life is meant to be enjoyed to its fullest. Now it’s time to take a deeper diver as to what makes today’s premiere what we like to call, a certified bop.

“Valley of Death is about the concepts of darkness, light, and rebirth. These songs are meant to guide us into the unknown and to be songs of safety as we embark on new journeys in our lives. It coincides with the rebirth of Phyphr as we move into the new year with a new look and sound.”

-PHYPHR

• In my final moments, I’d want to hear ‘Stop This Train’ by John Mayer, recorded live at Nokia Theater. This recording has always meant a lot to me. Every time I hear it, my mind floods with beautiful memories and emotions that could never fade away. I think about my parents, my fiance, my pup, my closest friends, and all the places I’ve traveled to. It’s about getting older and coming to terms with mortality. You may have wished there was a way to know you’re in the ‘good old days’ before you’ve actually left them. This song is about appreciating those fleeting moments in life.
• “Once in a while,
• When it’s good,
• It’ll feel like it should,
• And they’re all still around,
• And you’re still safe and sound,
• And you don’t miss a thing…”

• I would change how normalized drug use has become. Everything in moderation… When I’m on stage, I can see everything. It’s out in the open. I dislike the effect that drug use has on the dance floor and how dangerous it has become. I see so many attendees rolling the dice without testing for impurities. It’s common for attendees to fall out during shows in crowded rooms making it difficult for them to get medical attention. It’s a touchy subject, but we should talk about it more openly as a community. I want everyone to enjoy the music we love safely. 

• Whatever your passion or dream may be, take a chance and go after it. Don’t wait any longer to get in touch with the most authentic version of yourself! Inspiration is all around you, all you have to do is let it in. You can do anything if you work hard and believe in yourself.
• I was majorly inspired at Hulaween 2017 by Manic Focus Live Band. I remember standing there after the set thinking, “I want to make music and perform. I can do this”. I downloaded Ableton on my hotspot during the drive home from Suwannee, and fully dove into the learning process. I worked at it every single day until it became an obsession. I learned as much as I could as fast as I could. Fast forward to Hulaween 2022, I got to perform on that very same stage as a member of Manic Focus Live Band. Rocking with John and Colby was a dream come true and a testament that anything is possible if you work hard and believe in yourself! 

Street Ritual is here to bring light to the frequencies that make you want to get down and dirty the proper way. A perfect summary for the gift they have given us today thanks to the artist who goes by the name of SEEK. “METHOD EP” is a 4 track auditory landscape that encompasses all the signature original dubstep sounds that make us crave for more. Today we get the honor of premiering “Offense”, a single off the four-track ep that will leave you returning for more time and time again. Now it’s time to take a deeper dive as to what makes this track what we like to call, a certified bop.

“The Method EP is a culmination of my journey through sound and my exploration of dubstep. The first single, Offense, reaches for a wonky psy palette, while the rest of the EP applies elements of riddim and hip hop to the deeper side of dubstep. Im really happy how it all came together and couldn’t be more stoked for it to have found a home at Street Ritual.” -SEEK

We can’t think of a better way to celebrate hump day than to have FRANTIK deliver an absolute beauty of a dubstep banger so we can throw that ass in a circle. This new track titled “Mega Donk” sounds exactly what you would expect. A vigorous high-energy bass extract that bops those serotonin receptors every time it drops. If you’ve been in search of a new tune to blast at least twenty times in a row, we may have found just the solution for you. Now it’s time to take a deeper dive as to what makes this track what we like to call, a certified bop.

“Mega Donk has been my favorite ID to play out for quite some time. It’s a song that feels unique and authentically me and I’m excited to share it with the world.” -FRANTIK

You’re on your deathbed and you can listen to one last song, which one would it be and why?

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If I had to choose one last song to listen to on my deathbed it would have to be either Buck Meek – Candle or Big Thief – Masterpiece. I love indie folk rock and both these songs make me extremely sentimental. They remind me of home and love and death and pain all at the same time. Deciding which one to play would be my only conundrum.

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If you could change one thing about the electronic scene, what would it be and why?

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If I could change one thing about the electronic scene it would be the way the live show scene operates. Artists are pitted against each other in a relentless game of survival of the fittest. Professionalism is dead, making enough to cover travel expenses is difficult and it seems the only ones able to make it are already independently wealthy outside of music. It’s set up so artists are constantly competing with each other for booking opportunities and many openers or mid tier artists end up playing for free just to get an opportunity to perform. What we need is a union but that is probably a pipe dream unfortunately.

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If you had one message you could share with the world right now, what would it be?

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My one message to share with the world would be to take a stand against the forces of hatred and bigotry that threaten our very existence. Use whatever privilege you possess to protect the marginalized and defend those whose voices have been silenced. 

Your Tuesday evening just got a whole lot better thanks to upcoming dubstep act REJACK. Today we get a taste of what’s in store for his 2024 rise within the bass scene with his newest tract titled ” FIRE SPUN”. Super honored to present this to our audience as it perfectly encompasses everything we look for in a track. The flow accompanied by the intricate bass growls is just oozing everywhere and we are all here for it. Now it’s time to take a deeper dive as to what makes this track what we like to call, a certified bop.

” FIRE SPUN, was written with inspiration from the UK Garage tracks I’ve been listening to lately; I wanted to put my own spin on the style and share it with the world. I’m very proud of how this one turned out and I’m excited to finally share this one!”
-REJACK

Q: You’re on your deathbed and you can listen to one last song, which one would it be and why?

A: Aqua Regia by Sleep Token, it’s been a favorite song of mine ever since the release of their album Take Me Back To Eden. The instrumentation and unique use of different styles in this track blows me away. 

Q: If you could change one thing about the electronic scene, what would it be and why?

A: I would like to alter the notion that artists must pigeonhole into the specific styles of the art they’re creating, based on their past. As fans of these artists and artists ourselves – we should encourage experimentation with different styles to create a wider catalog of music. 

Q: If you had one message you could share with the world right now, what would it be?

A: It’s really easy to get caught up in a lot of pot holes of day to day life. Find something that inspires you and makes you happy and pursue it to the fullest. As long as you’re happy doing it don’t base your “success” or “progression” on factors that are out of your control.

Josh Teed, the highly respected artist known for his masterful blending of classical and electronic music has once again cemented his position in the scene. Previously touring with artists like Clozee on her Microdose tour, Teed has been nothing short but an inspiring contribution to the scene. Utilizing his over 20 years of violin training, Teed is known for pairing soulful violin compositions with enchanting production, setting him apart from other producers and showcasing his wide range of musical talent. His latest release, a remix album featuring tracks from his recent body of work titled “Recurring Dreams”, is an expertly curated work of art centered around the dreamworld and its relation and contrast to reality. Each track plays into different aspects of the dream realm and the subconscious, touching on both the desired and the uninvited. 

“Nightmare Sonata”, a collaboration from the album between Teed and producer Daggz, is a spin on a classic piece that forces the listener to delve into the less appealing aspects of dreaming; evoking an eerie and ominous feeling. The remix, featuring production from bass artist Chomppa, features his signature heavy-hitting bass sound that brings a slightly more sinister twist to the piece. Chomppa’s addition of a vocal sample that can only be described as anxiety inducing (in the best way), adds yet another layer of complexity that is truly the cherry on top of a fantastic piece of work. Chomppa’s take on “Nightmare Sonata” is brilliant, leaving the listener to explore their perception of nightmares and their connection to a person’s psyche and physical state in the real world. His additions to the track further it in a way that masterfully compliments and enhances its qualities without overshadowing the original production and meaning. Each artist bounces off of one another in a way that showcases their own signature sound while creating a piece of work that flows seamlessly. 

“Nightmare Sonata” as well as the rest of the “Recurring Dreams” album can be streamed on SoundCloud now, and we can’t wait for you guys to listen! For more insight into Chomppa’s creative process, check out our exclusive interview with him below!

“Putting his own creative spin on Josh Teed and Daggz’ Nightmare Sonata, Chomppa takes listeners to the darkest side of their dreams with this heavy hitting remix.  Recurring Dreams was my favorite body of work I’ve ever put together. I always thought if there were ever to be a remix project for it, it would have to be nothing short of amazing. Touching on a dizzying variety of sub-genres of electronic music, this compilation is as good as it gets.”

– Josh Teed

1. You’re on your deathbed and you can listen to one last song, which one would it be and why?

My last song on my deathbed would have to be CharlesTheFirst – Hopeful. Charles became one of my favorite artists over the last few years and his legacy 100% lives on through his music, this track in particular always hits me in an emotional place I can’t quite explain. The entire SOLUS project has been on constant repeat for me since its release, but Hopeful really just embodies everything I love about Charles’ music, long live the king 👑  -CHOMPPA

2. If you could change one thing about the electronic scene, what would it be and why?

I’ve touched on this a fair amount and there’s a lot of discourse surrounding the topic right now, but I’d love to see a shift away from numbers, social media, etc. and stronger emphasis on meaningful music rather than what sells or is popular. Plenty of people have explained that marketing a show/maintaining a business in live music requires artists with solid ticket sales on the lineup, which I fully understand and support, but it feels like lately the scene is oversaturated with ghost produced projects or producers who pump out content-driven music, and they’re the ones climbing higher on the ladder than the wildly talented producers who don’t necessarily want to make repetitive TikToks. Obviously, social media is the new marketing avenue and we as artists all have to play the game to a degree, I’m just hopeful that the music comes back into focus in the near future. -CHOMPPA

3. If you had one message you could share with the world right now, what would it be?

My message to the world would be every life is valuable and each person deserves to have their fundamental human rights protected. Minor differences in our origin, religion, sexual orientation, political ideology, or anything of that nature should not separate us but rather yield meaningful conversations about the beauty of the world’s diversity. There is nothing more important than respecting each other and the environment we inhabit together.  -CHOMPPA