Willdabeast Goes On A Tear w/ “A+ Mentality” ft Glyph via Muti Music

Willdabeast Goes On A Tear w/ “A+ Mentality” ft Glyph via Muti Music

Bass music is growing day by day across the globe thanks to the influx of artists continuously pushing the bar higher than ever before. One gentleman who shines bright on this statement is no other than Willdabeast , an individual who’s been praised for his live brass-infused bass music. It’s so refreshing to the ear when folks use the full force of their talent to bring new auditory experiences to the public. That is why we are honored to present today’s new premiere titled “A+ Mentality” ft Glyph via our good friends over at MUTI MUSIC. We only recommend the best and this is no doubt one funky tune that is sure to be appreciated by all who listen to it. Time to take a deeper dive into why we think this is what we like to call , a certified bop.

“As if the title doesn’t give voice to it all, what more can be said about ‘A+ Mentality’? It’s all about having that positive mindset. Can we tell ourselves everything will be okay? Our best attempt to overcome negativity which so often surrounds us. To try our very best to put our worries aside and get past our problems today and yesterday, to get through it for tomorrow. “

Diving Deep w/ Willdabeast

1. What has been the biggest difference you’ve noticed when first starting off as an artist vs now after experience playing events, doing releases etc?

 

 

The biggest difference I’ve noticed playing events/shows and doing releases now as artist vs first starting off is mostly us. It doesn’t feel as overwhelming. We also get to be a little more picky. Instead of feeling like we have to do something to get our foot in the door or place, we can kind of pick and choose where and what we would like to be a part of. We’re a bit of family folks. We also work our day jobs a bit more than most I”d imagine.  So it’s important for us to find and maintain a lot of balance in all elements of our life.  At first, feeling like we had to play every show, every venue, every festival or feeling dejected when we didn’t fit right into every scene or clique or club.  Now I think we kind of have a better understanding of who we are and what we want and we’re better able to not only convey this but also organize it neatly in a package for those who would like it. 

 

 

2. You live, breathe, and eat bass music. Do you listen to anything else when you are away from everything? What would your top 5 non-bass artists be? Top 5 bass artists?

 

 

Top 5 current Bass Music Artists I’m listening to :                   Top 5  Non Bass Music Artists I usually love listening to (mostly the classics) or some funk/ jazz/ hip hop:                                  If there’s a tweener sections I’d also add:
– Zebbler Encanti Experience                                                                   –  Talking Heads                                                                                                                                                    –  FKJ
– K+Lab                                                                                                    –   The Band                                                                                                                                                          –  Meute
– ATLiens                                                                                                  –  Stevie Wonder                                                                                                                                                   – Gibbz
– Apashe                                                                                                  –  Kendrick Lamar                                                                                                                                                  – Too Many Zooz
– Alexander Lewis                                                                                    –  Lettuce                                                                                                                                                              –  Moon Hooch
– Opiuo                                                                                                    –   Garage a Trois                                                                                                                                                  – Brasstracks
– (honorable mention Manic Focus)                                                         – (honorable mention Donny Hathaway)                                                                                                              – (honorable mention DJ Cam Quartet)

 

 

3. What has been a personal career struggle that you have battled with the most and how has it helped mold your character for the better good presently?
A major personal career struggle for me that has better shaped my character and who I am for the better would probably be split into two major components. One, is not taking myself too seriously, because for the longest time I did and it almost ruined me and my love for music. It played a disastrous role in many of my friendships both inside and outside of groups, bands, etc.  The only reason I can still stomach this is because it allowed me an opportunity to grow into the person I am now and to reflect on and recognize the type of person I don’t wish to be. Finding the tools to create for the right reasons and purpose; using creativity as a language and emotional appliance instead of strictly a commodity or what you’ve seen work in the past, allowed me to embrace the important parts of this craft; i.e. friendships and connections over money and material things. I learned in a difficult way time and time again that none of that matters in the end and there isn’t much of it anyway (money) so why burn bridges over it along the way?  What matters is the memories you build and the people you build them with.  It took me a long time to realize this and I had to go through hell and back to put this in my heart. But now I know that I’m not the most important person in the room nor do I ever want to think that way. 
The second is to try and be kind and accommodating to everyone involved in a show/festival/tour setting as often as possible.  I’ve headlined shows big and small. I’ve opened shows from no one there to giant festivals. I’ve also worked behind the scenes in production. I’ve worked the door. I’ve even run the merch table, security. I’ve gone to shows as an audience member. I’ve run lights, sound, and tried my hand at tour managing the night.  I know most folks have contracts, I know people are on long trips, I know people come from far away places. I also know how easy it is to be dismissive and rude. Whether you’re the first act of five performing that night or a stage hand or a ‘nobody’ or if you’re the headliner coming from thousands of miles away, I think that there should be some basic courtesy and respect given through and through. And so that’s something I try to adhere to. Clearly with alcohol and other additives involved it can intensify. Mix that with some ego and you have yourself a grand cocktail. I do try my very best to treat it more than just a living room or a place to trash or run through.  I try to treat each place well, but more importantly, each person we interact with well, because I know how hard it is on the road,but we also don’t know what everyone else is going through. When I was touring with the Pretty Fantastics there were some weeks we’d play 5-6 shows a week. It was very tiring. But we would try our best not to talk down to our openers, bar staff, door people and hosts. We need to be kind and share these general common practices with each other. We need to have safe spaces. We need to be able to have open areas, more inclusive, so as to help encourage the rest of our community.

 

4. What’s next for your project? What plans do you have in the near future that you hope to accomplish as “Willdabeast“?
What’s next for this project?  RELEASE RELEASE RELEASE.  We have so much F*&%$@G music about to drop it’s unbelievable.  Just wait!  Or don’t!  Get a head start by catching yourself up on our almost 100 tracks we’ve pumped out since 2016 with the likes of GRiZ, Defunk, Michal Menert, Kaptain, Wet Paint, and our entire discography of EPs, Singles and full-lengths. This year is going to be our most productive yet  We have so much to share it’s hard to even comprehend. Since our last album, ‘Fabric of Reality’ in 2020 we basically just wrote and we didn’t stop. Of course, not everything turned out, but we kept writing and playing and experimenting with sounds and feelings within our sound and synthesis. That being said, it has taken us forever and a day for it to come to light but now that we’re here, it’s our time. We have a TON of new music on the horizon. And then after that we plan to keep cranking out even more new music. There’s a few tunes we’re attempting to finish up before my baby girl comes this Spring. After that we are planning on taking a bit of a break to spend time with our families, and focus on life outside of music for once. A luxury I’m not sure we’ve ever really allowed ourselves. I don’t ever plan to personally intentionally leave music behind, ever.  I really want to try and collaborate and record with as many folks as possible. So far, it’s been a dream come true, I’ve crossed so many names off my bucket list and I hope to continue this adventure for as long as possible!

 

 

dela Moon Breaks Boundaries w/ New Rough Protocol EP

dela Moon Breaks Boundaries w/ New Rough Protocol EP

Throughout the electronic scene, we have seen absolute powerhouse female producers and artists take the stage and blow everyone out of the water time and time again. This is exactly the path to fame that bass artist dela Moon has ventured on as she continues to pave her own path to the spotlight. Release after release, she stuns listeners with her tremendous sound design, and this is exactly what we have seen with her forthcoming EP release, entitled Rough Protocol. Today, we are here to give you an exclusive taste of the incredible sound journey curated by this EP a day early! We have the immense pleasure of premiering the title track off Rough Protocol, which will have listeners in awe from the first drop. Creating an immersive drum & bass ride from the first track to the last, dela Moon has brought her full frequency bending force to both this track and the entire EP. This is definitely not something you want to be sleeping on! Let’s take a deeper dive into why we are calling “Rough Protocol” and the rest of this electrifying EP, a certified bop. 

“Returning to Play Me Records, west coast drum & bass artist dela Moon unleashes a full-frequency take on tech-driven DnB with her first 2023 release, Rough Protocol. An immersive ride into the electronic underworld, this four-track EP blends technical synths and basslines, theatrical breakdowns, and hair-raising drops into an electrifying and futuristic narrative that builds on dela’ Moon’s decades-long career as one of the underground bass scene’s most revered drum & bass DJs.”

Diving Deep w/ dela Moon

1. How did you decide to get into music? Was there a certain event in your childhood/life that made you stop and realize that you wanted to pursue a career in music?

I was never trying to become a DJ or producer — my music career pretty much found me. It started with my love of music and just wanting to make downtempo mixtapes for friends. But somewhere along the way, the Universe decided to bless me with the career I have now.

Producing also started casually with my friend Eastern Sun in 2011. We remixed his collab track with Oscure “Third Eye High” and then “Spinning Out of Nothingness” by Desert Dwellers. I really enjoyed the creative process of producing — it was so different from my process with DJing — and I just kept doing it until I was finally making tracks on my own by 2019. My journey as a producer has been slow because I was never in a rush to meet specific goals and I was already pretty busy with DJing and other work. It took me a while to commit and invest in my own studio setup but I’m here now and loving the endless learning adventure.

2. You definitely have a very unique name for your project. Does the name have a specific meaning or derived from something in your life? Is there a story fans might not know about how you came to this name for your project?

I’m not sure whether you are talking about the name “dela Moon” or the title of the EP, so I’ll give a little backstory for each:

dela Moon evolved from my nickname in real life and my association with my crew, Moontribe Collective. My real name is Christina de la Fuente and so “dela” actually means “of the”. I relate to how full of potential those simple little words are. Also, I’ve really been a tomboy my whole life, so I always liked the gender-neutral sound of the name. For a long time my DJ name was dela Moontribe, but several years ago I decided that I wanted to stand independent from my crew and just be “of the Moon”.

In regards to the EP name, Rough Protocol: Last year I started teaching myself to code JavaScript and found so many great track names in the process. One of those terms was “protocol” which is a set of rules for formatting and processing data. In non-coding terms, “protocol” can mean a correct code of conduct or a plan for a course of action in a scientific experiment, among other things. I added the adjective “rough” to imply the dirty, rowdy sound that I love in dnb. That rough, rowdy, dirty, fun attitude is at the center of what I love in dnb and other bass music. Sometimes the best breakthroughs come when you bend the rules or abandon the plan . . . humans can only behave “correctly” for so long . . . and smooth sound waves sound great distorted.

3. As an artist, you can experience a number of road blocks along the way to achieving your goals. What motivates you to continue to be creative and make music even when times get tough?

I’ve created a balance in my life that works for me. I don’t play or make just one style of music because I genuinely love a bunch of different rhythms and moods. When I have the freedom to express myself it is inspiring! Also, when finding new music to DJ, it is the case that one genre is often stagnating while another is filled with innovation. I love finding and playing music that pushes boundaries. When I have a block producing, I just go make music with friends, which is often more fun than sitting alone, doing it on my own – lol.

Besides being a DJ and producer, I’m also a massage therapist, yoga teacher, and Ayurvedic practitioner and being of service in that way feels really good to my soul and helps keep me stay healthy, grounded, and excited about music. I don’t rely 100% on my music career for my income, which is essential (for me) for keeping music a joyful, stress-free activity. When I travel for gigs, I try to hang with friends and see and do things outside the gig itself so that being on the road is a fun adventure instead of a slog from one gig to another. And finally, I prioritize my local underground community in LA because playing with and for friends fills me with joy.

4. What has been the biggest lesson you’ve learned since you started making music? Do you have any words of wisdom for aspiring producers hoping to follow in your footsteps?

My favorite saying is: “expect nothing” . . . meaning that you should enjoy the adventure of being an artist. There’s no “right” way to do art — just try to be the most genuine version of yourself! I also think having patience and not being in a rush helps a lot. I spent the first decade of my career playing downtempo, opening and closing parties and I still had time to get to a place where I travel the world playing music at really fun parties!

YAMI Brings the Roof Down w/ New Track “Acid Dropper”

YAMI Brings the Roof Down w/ New Track “Acid Dropper”

Heater after heater, track after track there is no shortage of dubstep fire coming at the electronic music scene every single day. With so much incredible music to sort through, it can be a task to find new and upcoming artists to blast throughout the day. Never fear though because today we are absolutely siked to introduce the absolute dubstep lord, YAMI, who has released his latest heater “Acid Dropper”. Creating bone-crushing bass lines, heavy electrifying drops, and powerful melodies, this track has it all in terms of a festival banger that is sure to get rinsed out year-round. There is no shortage of dark, intense and infectious energy that will capture listeners from the very first measure and have everyone head-banging in no time at all. We will have this one on repeat for the foreseeable future for sure. Let’s take a deeper dive into why we are calling “Acid Dropper”, a certified bop. 

“Acid dropper is a fun dark atmospheric heavy hitting tune. I was inspired to write a hybrid tune for a live setting that was heavy but minimal simultaneously. It was one of those tunes where the creative process flowed without too much overthinking. Expect more of the darker atmospheric elements in my upcoming tunes.”

Diving Deep w/ YAMI

1. How did you decide to get into music? Was there a certain event in your childhood/life that made you stop and realize that you wanted to pursue a career in music?

I grew up surrounded by music, my dad was a piano player and my parents always had music playing around me as a kid. I’ve always loved having music and playing instruments as a creative and emotional outlet. Once I learned about music production it opened up a whole other world for me. It was one of the few things in the world that sparked my interests that ended up becoming a passion of mine. Once that spark kept growing for me, and seeing the endless creativity, I knew music was my calling.

2. Where do you see yourself in 5 years and what’s your game plan to get there currently?

In five years the Yami project will be more than just music. The vision for Yami is to inspire others and build inclusivity. The project will be a diverse musical and visual experience and leave people feeling inspired to embrace their creativity. Currently I am working on singles and collabs with a variety of genres such as Bass, DNB and Wave that I am excited to release this year and build from. I am also working with visual artists and learning video production to continue building the Yami experience.

3. If there was one thing you could change for the betterment of society, what would it be and why?

If I could change anything it would be for society to look at creatives as they look at other professions. Creators, artists, musicians etc. are a huge foundation to life and deserve to be taken seriously. Art and music is around us everyday from ads, tvs shows to full blown galleries, productions, festivals etc. Some impact people in more ways than one.

4. What has been the biggest lesson you’ve learned since you started making music? Do you have any words of wisdom for aspiring producers hoping to follow in your footsteps?

The biggest lesson I’ve learned since I started making music is to focus on yourself and your music and don’t compare yourself to others. Everyone’s on their own journey and everyone’s success is measured in different ways. Some words of wisdom for aspiring producers is to never give up and don’t be afraid to throw paint on the canvas. We all have to start somewhere and the only way we get better is by learning from our failures and moving forward.