When some of our favorite artists team up to create track, the end result is always incredible bangers, beautiful vibrant downtempo track, and all around solid production. Today we have the pleasure of premiering another absolutely insane collaboration brought to you by bass wizards Ghost Lotus and Zurglin. Their latest release together, “Big Man Chune” is a stomper, bringing in classic UK dubstep sounds with their own unique flair. This track brings the heat from start to finish with its high energy sound design and booming bass line. We are definitely going to be blasting this one for the foreseeable future. Let’s take a deeper dive into why we are calling “Big Man Chune”, a certified bop.

“Zurglin and I linked up for the first time with our latest song “Big Man Chune”.  It was such an amazing experience working with Zurglin.  This song features a perfect blend of both of our styles, giving listeners bone crushing sound design, and heavy hitting drums to blow up sound systems.  Keep in the look out for our collab EP dropping in 2023!” – Ghost Lotus

Diving Deep w/ Ghost Lotus

1. How did you decide to get into music? Was there a certain event in your childhood/life that made you stop and realize that you wanted to pursue a career in music?

2. It can be very hard sometimes separating music from day to day life when it’s a huge part of your life. How do you personally separate your artist life from your everyday life, and have you faced any challenges doing so?

 At first, this was difficult, but the biggest game changer for me was scheduling and time management! Writing lists of my goals with life and music then checking them off makes you feel accomplished. 

3. As an artist, you can experience a number of road blocks along the way to achieving your goals. What motivates you to continue to be creative and make music even when times get tough?

4. What has been the biggest lesson you’ve learned since you started making music? Do you have any words of wisdom for aspiring producers hoping to follow in your footsteps?

No matter what genre of music you are listening to, there is always an influx of incredible new talent to discover each and every day. Being able to explore there world of up and coming artists is always an adventure and boy do we have a treat with today’s premiere. Coming to you live and direct is none other than bass producer Torbjørn as he teams up with Nurries to bring forth an absolute heater of a track. “Wanna Go” is packed with super sonic sound, creating both an uplifting and heavy hitting soundscape that is not to be beat. With Nurries vocals combined with Torbjørn’s gritty bass sounds this track is one we are going to have on repeat for a long time. Let’s take a deeper dive into why we are calling “Wanna Go”, a certified bop.

“Wanna Go” is an uplifting, hard-hitting take on how to put a little vacation in everydaylife. Tropical sounding flutes and choir sounds are juxtaposed against gritty bass synthsand trap drums. With Hawaiian emcee Nurries on vocals and Torbjørn’s high-energysound design, “Wanna Go” gives both rap fans and bass music fans a reason to puttheir hands up. Life’s a vacation and we travel there like all the time.

Diving Deep w/ Torbjørn

1. How did you decide to get into music? Was there a certain event in your childhood/life that made you stop and realize that you wanted to pursue a career in music?

2. It can be very hard sometimes separating music from day to day life when it’s a huge part of your life. How do you personally separate your artist life from your everyday life, and have you faced any challenges doing so?

There is nothing quite like the nostalgia of old 2000s dubstep. Being able to be transported back in time to an era where dubstep was on the rise is a treat, and who better to do it than Wakaan rising star and bass wizard, Ravenscoon. Aiming to replicate this heavy dancefloor sound with some of his own flairs, Ravenscoon has stepped up to the plate with his latest EP release, Collide, a three track monster designed to bring yo back to the days of some of the most iconic dubstep tracks. Featuring up and coming dubstep artists such as Ruvlo and VLCN, this entire EP hits hard from start to finish. Our premiere that we have the pleasure of presenting to you all today, “Bussin”, is soon to be a festival hit with its heavy bass lines and driving melodic synths. Though this EP seems to be a juxtaposition to Ravenscoon’s previous EP, the classic 808 sound produced by this artist is not to be beat. Let’s take a deeper dive into why we are calling “Bussin” and the rest of the Collide EP, a certified bop

“I wanted to round off 2022 by releasing three of my heaviest tunes to date – all specifically designed to smash the dancefloor. The COLLIDE EP is my way of showing my fans that I can do it all while also highlighting two of my favorite up and coming dubstep producers, VLCN & RUVLO. Each song revolves around driving melodies, energetic 808 intros, and massive sounding bass design. Continuing my tradition of releasing an EP in December, this year’s installment seems to be the heavier spiritual successor to last year’s FUN & GAMES EP where I explored the trap & “wook bass” sound.”

Diving Deep w/ Ravenscoon

1. How did you decide to get into music? Was there a certain event in your childhood/life that made you stop and realize that you wanted to pursue a career in music?

I’ve loved music my whole life – both of my parents have always been big fans of listening to music and going to live concerts, which definitely left a positive impression on me. My mom played the flute for many years and my grandmother plays piano – so there’s generations of music lovers.

I realized I hated my corporate job and music is what makes me happier than almost anything – it was a moment of clarity when I realized it was always music that was my passion

2. You definitely have a very unique name for your project. Does the name have a specific meaning or derived from something in your life? Is there a story fans might not know about how you came to this name for your project?

My last name is Conversano – italian heritage. My family immigrated to the united states at the turn of the 20th century.

I am a big fan of Donald Glover (childish gambino) who got his name from an online WuTang Clan name generator. I decided to put my name in an anagram maker and chose the first one that stood out to me.

It echos themes of things being familiar but also new – and not being always as they seem.

3. It can be very hard sometimes separating music from day to day life when it’s a huge part of your life. How do you personally separate your artist life from your everyday life, and have you faced any challenges doing so?

I have a problem with overworking – but this isn’t specific to music. I had a hard time separating my old job from leisure time, sometimes working late into the night and on weekends.

I remind myself to take breaks and set boundaries and schedules for myself. My partner is also helpful in keeping me grounded.

4. As an artist, you can experience a number of road blocks along the way to achieving your goals. What motivates you to continue to be creative and make music even when times get tough?

My passion and love for music. When something is your true passion, the rest of the BS is just a distraction. I feel infinite creativity and inspiration every day and that keeps me going no matter what

Rising up from the depths is an artist who seems to never fail to disappoint listeners as he continues to blow the EDM community away with his incredible production. Michigan based producer and bass wizard, babz, has come out absolutely swinging with the release of his latest track, “Hold It Down”, that we have the pleasure of premiering for you all today. His ability to combine heavy driving bass lines with deep wubby synths all in one heater of a track is definitely what is bring this artist to the forefront of the electronic scene with each new track. “Hold It Down” is undeniabley a heavy hitting jam that is perfect for any occasion, so be ready to get blasted into an alternate universe! Let’s take a deeper dive into why we are calling “Hold It Down”, a certified bop.

“I had 3-4 ideas from earlier this year that I couldn’t seem to finish up. Ended up taking my favorite parts of each and came up with this as the final product.”

Diving Deep w/ babz

1. How did you decide to get into music? Was there a certain event in your childhood/life that made you stop and realize that you wanted to pursue a career in music?

I’m pretty late to the electronic scene. I’ve listened to Daft Punk, Pendulum, and some deadmau5 for a long time. But when I heard one of Excision’s Shambhala mixes and Skrillex’s Bangarang EP, I fell in love with the scene. My first electronic show was Skrillex at Bonnaroo in 2012, and it just blew me away. After that, I became interested in DJing and started doing that in 2013 and producing the following year.

2. You definitely have a very unique name for your project. Does the name have a specific meaning or derived from something in your life? Is there a story fans might not know about how you came to this name for your project?

I wish I had a better story for this, but my friends used to make up words that sounded like “Gavin” a lot. It started out as “Babbin” and then somehow got shortened to “Babz.” It kinda just stuck after that. I might end up changing it or just starting a new project soon to reflect the music I’m trying to make better.

3. What kind of impact do you wish to have on the scene 1-2 years from now with your project?

I’m hoping to add a few more songs to my catalogue and maybe do an EP or LP, then maybe start a side project that has a more defined sound. I only work on music a few hours a week; if that, so getting around to producing more and find something that means more to me is the next goal.

4. What has been the biggest lesson you’ve learned since you started making music? Do you have any words of wisdom for aspiring producers hoping to follow in your footsteps?

Just to have fun writing music and performing. If it stops becoming fun, then you can burnout easily.

There are so many different ways to make sound and music evoke emotions through the use of different melodies, bass lines and synths. Being able to portray many emotions within a track can be a task to create as artist have to make sure that each element lines up perfectly to be able to give off the right feeling. Maryland based producer and bass artist, Bemah has done exact this in his latest track that we have the pleasure of premiering for you today. “Drowning (ft. Little Lion). This track uses its deep bass lines and moody synths to create a dark atmosphere, complimented by Little Lion’s soft floating vocals that can be heard through out the track. Reflecting Bemah’s on feelings at this time, this track definitely reflects a deeper melancholic mood that changes into a light airy soundscape as the track progresses. Let’s take a deeper dive into why we are calling “Drowning (Ft. Little Lion)”, a certified bop.

“I started this song last year when I was feeling a bit down on myself as an artist. I wanted to track to reflect those emotions which is why I created the dark and moody soundscape. Once I had the idea going, I knew it needed a soft female vocal to compliment it. Little Lion was perfect for this track and she crushed the songwriting as well as the delivery. I love the evolution of the mood throughout this track and I hope other listeners can feel the emotions that were put into it.”

Diving Deep w/ Bemah

1. How did you decide to get into music? Was there a certain event in your childhood/life that made you stop and realize that you wanted to pursue a career in music?

My uncle initially sparked my interest in music. He was a touring DJ in his twenties and bought me a DJ controller for my 15th Birthday. I went on to make some of the worst mashups imaginable. Seriously, I remember one of them was Eminem and Adele … Glad no one can hear that now. Over time I got much better and in college I was DJing at the bars 2-3 nights a week. I wanted to move away from open format, so that is when I decided to pursue music production and it’s been an obsession of mine ever since.

One thing that comes to mind pertaining to our music community is no ticket fees! Our whole community is getting scalped by unnecessary fees. Live shows are some of the best experiences, even therapeutic, so making them more accessible, especially during a time of financial pressure would benefit both artists and fans. 

4. What has been the biggest lesson you’ve learned since you started making music? Do you have any words of wisdom for aspiring producers hoping to follow in your footsteps?