Breaking out of the mold in the freeform electronic bass scene is a task each and every artist is trying to accomplish, but can be a daunting task in itself. Today’s premiere comes from an artist that not only has broken out of this mold but continues to amaze with his limitless talent. Hailing from South Korea, bass producer SAINT MILLER, has come out swinging with the release of the first volume of his Saints and Sinners EP. This 5 track compilation packs a punch, stacked with high energy and nasty wubby drops from start to finish. Our premiere track today off this EP, “Ghost Town”, combines upbeat rap vocals with heavy drops that will have you up on your feet and raging. This track and the entire first part of the Saints and Sinners is definitely something you don’t want to miss out on. Let’s take a deeper dive into why we are calling “Ghost Town” and the rest of the Saints and Sinners EP, a certified bop.
“Ghost Town is a track I worked on with MarkusDied. He’s an amazing rapper, and was a pleasure to work with. His flow really worked well with my style, and I’m happy about how this one turned out!”
DIVING DEEP W/ SAINT MILLER
- If you could go back in time and start over given what you have learned in your career so far, what changes and approach would you have done differently?
My goal is to be one of the top bass producers in the world. I would have loved to have visited the US earlier, so that I could have experienced the bass scene there. I believe that it would have made a positive impact on me as a producer.
- If there was one thing you could change in the bass scene, what would it be and why?
I would like to define a whole new subgenre. I feel that there’s not enough hip-hop or trap presence in the bass scene. I would love to help introduce bass music to a much bigger audience, by tying in those elements. My inspirations are artists like Kendrick Lamar, 21 Savage, Kanye West, Mac Miller, Notorious B.I.G, and Wu Tang Clan.
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