Canadian based dubstep producer MYTHM , is here to further reign supreme as one the scenes must see festival bass acts that you should never miss. If you want to talk about high energy sets with some of the most proper dubstep plates and vocal mixing , then boy are you in for a treat if you ever see the name MYTHM on the led screen.  After destroying SHAMBALA just over a week ago , the mad man is back to already deliver some more heat for us. Today we get the honor of premiering an absolute stomper of a tune titled ‘MURDA’ which is apart of thew newly dropped ‘We Are Deadbeats Vol. 5’ compilation. It’s accompanied by other acts such as TAPE B , ZINGARA, NOTLO , SMOAKLAND and more. Time to take a deeper dive into what makes this song what we like to call , a certified bop.

“‘Murda’ is a high energy, dark and distorted track with swift vocal cuts that has been doing absolute damage during my sets around North America” as of late”. 

 

1. What has been your biggest inspiration to this day that has helped shape your style of music and why? 
I’d have to say when I  first visited the Shambhala Music Festival and Bass Coast Music festival back in the summer of 2017, I was just discovering the bass music scene. That ultimately changed my life and shaped where I am currently with MYTHM. After going to those two festivals and seeing acts like Thelem, Craze, Bleep Bloop, Truth, I left wanting to create and dove head into production shortly after that. 
2. What has been a personal career struggle that you have battled with the most that has helped mold your character for the better good presently?
Last year during covid it was really hard for me to see the scene in the U.S continue having shows while I was in Canada. Being from Vancouver, I was essentially stuck on the outside looking in since I wasn’t able to take show bookings and offers in the states due to the borders being closed. It wasn’t an easy time, however, it gave me the opportunity to keep my head down and grind. And that’s exactly what I did. Through perseverance and focusing on my craft in the studio, it put me in the position of where I am today and I’m very thankful for that.