There are so many different ways to make sound and music evoke emotions through the use of different melodies, bass lines and synths. Being able to portray many emotions within a track can be a task to create as artist have to make sure that each element lines up perfectly to be able to give off the right feeling. Maryland based producer and bass artist, Bemah has done exact this in his latest track that we have the pleasure of premiering for you today. “Drowning (ft. Little Lion). This track uses its deep bass lines and moody synths to create a dark atmosphere, complimented by Little Lion’s soft floating vocals that can be heard through out the track. Reflecting Bemah’s on feelings at this time, this track definitely reflects a deeper melancholic mood that changes into a light airy soundscape as the track progresses. Let’s take a deeper dive into why we are calling “Drowning (Ft. Little Lion)”, a certified bop.
“I started this song last year when I was feeling a bit down on myself as an artist. I wanted to track to reflect those emotions which is why I created the dark and moody soundscape. Once I had the idea going, I knew it needed a soft female vocal to compliment it. Little Lion was perfect for this track and she crushed the songwriting as well as the delivery. I love the evolution of the mood throughout this track and I hope other listeners can feel the emotions that were put into it.”
Diving Deep w/ Bemah
1. How did you decide to get into music? Was there a certain event in your childhood/life that made you stop and realize that you wanted to pursue a career in music?
My uncle initially sparked my interest in music. He was a touring DJ in his twenties and bought me a DJ controller for my 15th Birthday. I went on to make some of the worst mashups imaginable. Seriously, I remember one of them was Eminem and Adele … Glad no one can hear that now. Over time I got much better and in college I was DJing at the bars 2-3 nights a week. I wanted to move away from open format, so that is when I decided to pursue music production and it’s been an obsession of mine ever since.
One thing that comes to mind pertaining to our music community is no ticket fees! Our whole community is getting scalped by unnecessary fees. Live shows are some of the best experiences, even therapeutic, so making them more accessible, especially during a time of financial pressure would benefit both artists and fans.
4. What has been the biggest lesson you’ve learned since you started making music? Do you have any words of wisdom for aspiring producers hoping to follow in your footsteps?
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