Dub duo UGLY LUNGS has dropped an absolute banger of an EP, Digits, through well-established experimental bass label Wubaholics. The EP’s standout track, “Arrival” is a high-powered, intense piece of work that truly brings the heat. Featuring an extremely vibey wobble-bass sound paired with the duos signature free from bass production, this track is one that is sure to entice any crowd. As of late, UGLY LUNGS has played EDC Mexico and are currently making moves towards the U.S. scene, with plans to bring their live sets to an entirely new crowd. In the meantime, check out our short interview with Ugly Lungs below for more information on the project and their Digits EP!

“Arrival is definitely a standout track/personal favorite of ours from the upcoming Digits EP.

We really got a chance to have fun with this one and blend a lot of different styles together that we feel encapsulate the direction that we are moving in from a composition standpoint. Keeping listeners on their toes with dynamic, heavy elements that switch up throughout the track, brings an excited vibe to the track, and is something we will seek to explore a lot this year!

In a climate that in many regards is “washed out” by stagnant sub-genres, monotony, and just plain overdone elements, it is a welcomed challenge for us to get in the studio and create something different and fresh, which we feel we achieved with ARRIVAL, and with the EP as a whole.

We are stoked to hear what you guys think of the tune, and we cannot wait to play it out at some shows in the near future!

As always, thank you to the bass community for the continued support.

Much love,

UGLY LUNGS”

1 Which track on the DIGITS EP are you guys most excited for fans to hear, and why? 

All of them!!! because this project really give the followers a deep dive into the future of our sound, and the elements of multiple genres that we will be exploring heavily this year. we’re also really proud of the work made in this ep. We can’t wait to see you guys bumping digits!!!

2 If you guys had the opportunity to collaborate with any artist, who would it be?

We have some collabs in the pipeline that we can’t talk too much about right now but we are VERY excited about it so stay tuned! In terms of “goals’ ‘ collabs we would love to work soon with Peekaboo, Tape B, Gunpoint, Slang Dogs, Tvboo, Hekler, Abelation and many more.

3. Are there any upcoming UGLY LUNGS sets that fans can look forward to catching this year?

We are in the process of locking in our VISA’s at the moment, and with our new U.S. based team, you can expect to see us in some new places very soon!

Combining the signature vibey hip hop sound with profound bass, Denver based artist Swampz, has released his latest track “OG”, a vibey bop that seamlessly blends multiple genres and is a certified bop. Making major moves within the scene in 2023, this new release is a must listen, and is sure to appeal to both hip hop and EDM fans. Taking  influence from hip hop OG’s, Swampz is consistently releasing tracks that set him apart from other artists and is consistently showcasing his range. “OG” in particular, features heavy-hitting, intense bass that is sure to hook all listeners. The track truly displays Swampz signature style as well as his production abilities. In comparison to his previous releases, “OG” is significantly heavier; and we are absolutely loving it. Check out our interview with Swampz below for more insight on his goals for 2024 and more information on the project!

“Made this song to go back to the roots of what I fell in love with when I heard dubstep for the first time” -SWAMPZ

If you could choose one word to describe this track, what would it be? 

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The word I’d use to describe this track is “OG” the name of the song itself because it encapsulates the vibes of the “og” or “oldschool” dubstep and hip hop that I grew up listening to. 

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What are some hip-hop artists you look to for inspiration during the production of your tracks? 

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I’ve been listening to hip hop music my whole life so I have a wide range of inspirations from the modern day to the old school. If I had to choose my biggest influences it’d be Suicideboys, Cypress Hill, Wu-Tang Clan, Xavier Wulf, Bones, NWA, Mobb Deep, Chief Keef and so many more, I could go on forever. I incorporate a lot of elements used in old school and modern day hip hop into my production so listening to these artists may spark the creative boost I need when writing music. 

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2023 was a huge year for you, with that being said, what are some of your goals for the Swampz project in 2024? 

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2023 was huge for me and I am extremely grateful for that. My goal for 2024 is to make it a bigger year, release tons of new music, play lots of shows and influence other producers to hop on the G-Step wave that I’m pushing. Really just looking to build on the seeds I planted last year and I’m excited to have a new team at Mind Warp to bring that vision to life!

Josh Teed, the highly respected artist known for his masterful blending of classical and electronic music has once again cemented his position in the scene. Previously touring with artists like Clozee on her Microdose tour, Teed has been nothing short but an inspiring contribution to the scene. Utilizing his over 20 years of violin training, Teed is known for pairing soulful violin compositions with enchanting production, setting him apart from other producers and showcasing his wide range of musical talent. His latest release, a remix album featuring tracks from his recent body of work titled “Recurring Dreams”, is an expertly curated work of art centered around the dreamworld and its relation and contrast to reality. Each track plays into different aspects of the dream realm and the subconscious, touching on both the desired and the uninvited. 

“Nightmare Sonata”, a collaboration from the album between Teed and producer Daggz, is a spin on a classic piece that forces the listener to delve into the less appealing aspects of dreaming; evoking an eerie and ominous feeling. The remix, featuring production from bass artist Chomppa, features his signature heavy-hitting bass sound that brings a slightly more sinister twist to the piece. Chomppa’s addition of a vocal sample that can only be described as anxiety inducing (in the best way), adds yet another layer of complexity that is truly the cherry on top of a fantastic piece of work. Chomppa’s take on “Nightmare Sonata” is brilliant, leaving the listener to explore their perception of nightmares and their connection to a person’s psyche and physical state in the real world. His additions to the track further it in a way that masterfully compliments and enhances its qualities without overshadowing the original production and meaning. Each artist bounces off of one another in a way that showcases their own signature sound while creating a piece of work that flows seamlessly. 

“Nightmare Sonata” as well as the rest of the “Recurring Dreams” album can be streamed on SoundCloud now, and we can’t wait for you guys to listen! For more insight into Chomppa’s creative process, check out our exclusive interview with him below!

“Putting his own creative spin on Josh Teed and Daggz’ Nightmare Sonata, Chomppa takes listeners to the darkest side of their dreams with this heavy hitting remix.  Recurring Dreams was my favorite body of work I’ve ever put together. I always thought if there were ever to be a remix project for it, it would have to be nothing short of amazing. Touching on a dizzying variety of sub-genres of electronic music, this compilation is as good as it gets.”

– Josh Teed

1. You’re on your deathbed and you can listen to one last song, which one would it be and why?

My last song on my deathbed would have to be CharlesTheFirst – Hopeful. Charles became one of my favorite artists over the last few years and his legacy 100% lives on through his music, this track in particular always hits me in an emotional place I can’t quite explain. The entire SOLUS project has been on constant repeat for me since its release, but Hopeful really just embodies everything I love about Charles’ music, long live the king 👑  -CHOMPPA

2. If you could change one thing about the electronic scene, what would it be and why?

I’ve touched on this a fair amount and there’s a lot of discourse surrounding the topic right now, but I’d love to see a shift away from numbers, social media, etc. and stronger emphasis on meaningful music rather than what sells or is popular. Plenty of people have explained that marketing a show/maintaining a business in live music requires artists with solid ticket sales on the lineup, which I fully understand and support, but it feels like lately the scene is oversaturated with ghost produced projects or producers who pump out content-driven music, and they’re the ones climbing higher on the ladder than the wildly talented producers who don’t necessarily want to make repetitive TikToks. Obviously, social media is the new marketing avenue and we as artists all have to play the game to a degree, I’m just hopeful that the music comes back into focus in the near future. -CHOMPPA

3. If you had one message you could share with the world right now, what would it be?

My message to the world would be every life is valuable and each person deserves to have their fundamental human rights protected. Minor differences in our origin, religion, sexual orientation, political ideology, or anything of that nature should not separate us but rather yield meaningful conversations about the beauty of the world’s diversity. There is nothing more important than respecting each other and the environment we inhabit together.  -CHOMPPA